Kunstler at Boston College

Kunstler recently spoke at Boston College. It was a standard talk about the Long Emergency. Then he went out to dinner "with four faculty members and one friend-of-faculty. Three of them were English profs. One was an urban planner and one was an ecology prof. All of the English profs were specialists in race, gender, and privilege. Imagine that. You’d think that the college was a little overloaded there, but it speaks for the current academic obsessive-compulsive neurosis with these matters. Anyway, on the way to restaurant I was chatting in the car with one of the English profs about a particular angle on race, since this was his focus and he tended to view things through that lens. The discussion continued at the dinner table...".

Kunstler: Good Little Maoists.

I think he's digging himself a big hole here.


"Anyway, it was not a coincidence that in the mid 1960s a new wave of black separatist avatars arose around the time of the civil rights legislative victories. Malcolm X, Stokely Charmichael [sic], the Black Panthers, to name a few. That was the moment when much of the black population slid into what has become essentially an oppositional culture, determined to remain separate. Language is part of that picture."--Kunstler

The Black Panthers:

"The writings of the Black Panthers are also in impeccable standard English, but in their speeches there are occasional occurrences of Black English for stylistic effect, to mark group solidarity. ..."

Sociolinguistic Perspectives on Bilingual Education, edited by Christina Bratt Paulston.

(The book looks interesting.)

Stokely Carmichael.

"Described by some as a "black ogre of choice"[23] and by others as "cool and very hip,"[24] Stokely Carmichael was a man of varied rhetorical talents. From an early age, his charismatic style made him a favorite among his fellow Civil Rights activists and a national leader in the Civil Rights Movement. When he first talked about Black Power in Mississippi in 1966, he did so with the fiery passion of a Southern demagogue--a type of speaker he loved to hate. With just a few words, he was able to rally the crowd that came out to see him in Greenwood, Mississippi into a chorus of voices shouting, "Black Power! Black Power! Black Power!" His ability to tailor his speeches to different audiences was one of his greatest talents, as Carmichael himself boasted in his autobiography:

I had a standard-English speech reserved for the merely affluent and curious. Many times these people would say or write that they had expected an "antiwhite diatribe" or a "raving militant rap." Only to be so pleasantly surprised to get a reasoned argument that--even if they didn't agree with it--was "thought provoking." . . . Then too I had a harder, more analytic, and ideological argument for more serious political and intellectual forums. . . . Then there was a down-home, nitty-gritty idiom in a style I mostly borrowed from the Harlem street corner nationalists and the Southern black preachers. This I saved for the brothers and sisters on the block. But the political message stayed the same, whatever the audience, language, or occasion. Only the style changed.[25]

"While Carmichael himself claimed never to use obscenities or vulgarities, rhetorical critic Pat Jefferson notes that his speeches were often laden with risqué sexual innuendos and four-letter words.[26] Whatever the case, Carmichael was always careful to adapt his language to his audience. A speech at Boston's Episcopal Theological School was fashioned very differently from one before a group of young, black street kids or Civil Rights activists."


See also Spoken Soul: The Story of Black English, esp. pp. 224-228.