Why remake one of the greatest American movies of the 1970s? CARRIE 2013 was the most depressing filmgoing experience I've had this year...
— Bret Easton Ellis (@BretEastonEllis) October 23, 2013
Not all movie remakes are bad, but generally they are. Paul Fussell wrote: "[A]mong the intelligent the threat of a remake was almost always a cause of sinking spirits as viewers experienced repeated disappointments comparing the 1964 Night Must Fall with the good one of 1937....Despite the obvious folly of trying to remake Modern Times, Citizen Kane, Casablanca, High Noon, or even On the Waterfront or Hud, someone ... is sure to try and then, when the contempt pours in, respond by designating the critics elitist."
This doesn't even cover what I call the "Hollywoodization" of foreign movies. Compare, for example, the 1996 Japanese movie Shall We Dance? about a salaryman who discovers the world of ballroom dance, with the brassy 2004 American version, starring Richard Gere and Jennifer Lopez.
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